Last week the folks at our office were passing around links to the commercial above from Old Spice. It’s another manly ad from the brand’s agency, Wieden+Kennedy, and it certainly earned lots of LOLs in our office space. I personally found it amusing but very rushed. Many of the words are said so quickly that I missed them and had to go back. I wondered why the pace was so quick, until I began to recall sitting in an editing suite reviewing commercials with my then-agency when I used to be a brand manager at P&G. It came together for me when I looked down at the total time of the video on the corner of the screen and saw :30. Yep, this was a TV commercial also uploaded to YouTube.
Now, let me begin by saying that I don’t have an incredibly strong opinion on this case. Regular readers know that I usually come down hard one way or the other in these blog posts. But in this situation I have more of a working theory to air—and I’m not soft-pedaling just because Old Spice is a brand from one of our big clients, Procter & Gamble, and one of my long-time friends works on the brand.
My working theory is that starting with the 30-second ad is no longer the right way to do branded video. Note first that I am talking “branded video” instead of “commercials.” I think a lot of smart marketers and agencies are starting to reset how they think about “sight, sound, and motion” and are defining their success by whether or not people are choosing to view and share their marketing, rather than the number of impressions that can be bought.
My point is this: In a world in which it is more important for people to choose to engage with video, you can work without the confines of a 30-second box. One of the best early examples is BMW films, which became a DVD series. Other examples range from Will It Blend to the recent Coca-Cola Happiness Factory that I blogged about a few days ago. In these cases the focus is on creating video that people enjoy viewing. With this freedom, filmmakers can go to two minutes and far beyond. Remember, 30 seconds is no magical measure of the ideal consumer attention span—but rather a number that worked for TV networks to slam in multiple messages between content breaks.
So it feels to me that Old Spice and its agency started with the 30-second hole to fill and fought to push its funny content into the box, rather than making the most fun video possible, posting that online, and then, perhaps, placing an edited version onto the TV screen. Then again, people have chosen to view the Old Spice video on YouTube about 1.5 million times (and counting). I might be wrong. What do you think?



